Tag Archives: reggae

RIP Lee “Scratch” Perry (1936 – 2021)

Bucky Skank (1973)

Lee “Scratch” Perry was a Jamaican composer and producer known for such songs as “Bucky Skank” (1973).

He died and the last member of the holy trinity (Lee Perry, Sun Ra and Fela Kuti) of 20th century black musical “auteurs” is no more.

Perry was an Afro-futurist, Afro-humorist, Afro-dadaist and Afro-surrealist. He taught the world that a mixing desk could be used as a musical instrument.

There was a period in my life he was all I listened to. Album such as Blackboard Jungle Dub (1973), Super Ape (1976) and Return of the Super Ape (1978) were a on repeat and albums such as Cloak and Dagger (1973), Black Board Jungle Dub (1973), and Revolution Dub (1975), were, along with the work of King Tubby, the foundation of dub music.

My brother at one time owned nearly all of his albums.

An issue of Grand Royal by the Beastie Boys was dedicated to Lee.

His flying cymbal sound is as notorious as that of Bunny Lee.

He claims to have part in the authorship of many of the early Bob Marley and the Wailers songs.

What a loss. Not only for the reggae world but for the musical world at large. He was a visionary, the Sun Ra of reggae, saying stuff like:

“I see the studio must be like a living thing, a life itself. The machine must be live and intelligent. Then I put my mind into the machine and the machine perform reality. Invisible thought waves – you put them into the machine by sending them through the controls and the knobs or you jack it into the jack panel. The jack panel is the brain itself, so you got to patch up the brain and make the brain a living man, that the brain can take what you sending into it and live.”

He was a mad genius who wrote, how many songs? Many of them recorded on a four track system, but an incredibly spacious sound.

RIP mister Perry, this feels like a personal loss.

I wanted to do a more thorough write-up, but I only came up with this mixtape: Judge Dread (1967), People Funny Boy (1968), Pop Corn (1970), A Place Called Africa (1970), 400 Years (1970), African Herbman (1971), Mr. Brown (1971), Sun Is Shining (1971), Bucky Skank (1973), Justice to the People (1973), Kentucky Skank (1974), “Curly Locks” (1974), Doctor on the Go (1975), Woman’s Gotta Have It (1975), Chase the Devil (1976), Croaking Lizard (1976), Hurt So Good (1976), Super Ape (1976), White Belly Rat (1976), Zion’s Blood (1976), Big Muff (1977), City Too Hot (1977), Groovy Situation (1977), To Be a Lover (1977), Bafflin’ Smoke Signal (1978), Soul Fire (1978), Throw Some Water In (1978), Huzza a Hana (1978), I Am a Madman (1986).

RIP Bunny Lee (1941 – 2020)

Bunny Lee was a Jamaican record producer and one of the major forces in the Jamaican music industry, producing hits throughout his long career.

“Wet Dream”

His song “Wet Dream”, interpreted by Max Romeo, became popular in 1968 despite being banned on the BBC; and Eric Donaldson’s “Cherry Oh Baby” would be covered by the Rolling Stones.

“My Conversation”

Lee also produced the perennial riddim “My Conversation”.

‘If Deejay Was Your Trade’ (1994)

The compilation ‘If Deejay Was Your Trade’ (1994), which was the debut release of the reggae compilation label Blood and Fire, consists of a selection of his productions from the period 1974-1977.

https://www.youtube.com/watch?v=wqXr-YmqJfw&ab_channel=KingJulian

The documentary ‘I Am The Gorgon – Bunny ‘Striker’ Lee and the Roots of Reggae’ is in full on YouTube.

RIP Toots ‘Maytal’ Hibbert (1942 – 2020)

“Funky Kingston” (1972)

Toots Hibbert was a Jamaican singer and songwriter, leader for the band Toots & the Maytals. He is best-known for such songs as “54-46 That’s My Number” (1968), “Pressure Drop” (1970) and “Funky Kingston” (1972).

Hibbert was one of the first artists to use the word “reggae” in 1968’s “Do the Reggay”.

RIP Millie “My Boy Lollipop” Small (1947 – 2020)

Millie Small was the singer of “My Boy Lollipop” (1964), her only hit.

https://www.youtube.com/watch?v=dwrHCa9t0dM

She was the first Jamaican artist to break through to an international audience.

Did this mean international recognition for ska and reggae?

Well, not exactly, “My Boy Lollipop” was considered a novelty song rather than ska or reggae.

Thus reggae’s invasion into the mainstream actually only began that same year in the United Kingdom with songs such as “Al Capone” (1964) and “Guns of Navarone” (1964).

But in the United States, the wait was for 1969 with “The Israelites” (1968) to give reggae international repute and recognition.

RIP Keith Flint (1969 – 2019)

Keith Flint was an English vocalist and dancer associated with the electronic dance act The Prodigy.

He contributed to “Out of Space” (1992) which sampled the classic reggae track “Chase the Devil” (1976) by Max Romeo, which was produced by Lee Scratch Perry.

https://www.youtube.com/watch?v=WpIAc9by5iU

That track featured the Afrofuturist lines “I’m gonna send him to outa space, to find another race.”