Tag Archives: RIP

RIP Toni Morrison (1931 – 2019)

Toni Morrison was a American writer perhaps best-known for her novel Beloved (1987).

Beloved has been banned from five U.S. schools since 2007. Common reasons for censorship include bestiality, infanticide, sex, and violence.

Perhaps an offending passage is this one, in which Sethe pays the tombstone engraver with sex:

“You got ten minutes I’ll do it for free.

Ten minutes for seven letters. With another ten could she have gotten “Dearly” too? She had not thought to ask him and it bothered her still that it might have been possible–that for twenty minutes, a half hour, say, she could have had the whole thing, every word she heard the preacher say at the funeral (and all there was to say, surely) engraved on her baby’s headstone: Dearly Beloved.”

Margaret Atwood in Writing with Intent: Essays, Reviews, Personal Prose: 1983-2005 (2009) remarks:”Sethe wanted “Dearly Beloved [on the tombstone],” from the funeral service, but had only enough strength to pay for one word. Payment was ten minutes of sex with the tombstone engraver.”

‘Beloved’ film trailer

RIP D. A. “direct cinema” Pennebaker (1925 – 2019)

D. A. Pennebaker was an American documentary filmmaker and one of the pioneers of direct cinema. Documentaries about performing artists and politics were his primary subjects. He was known for his hand-held camera aesthetic.

Pennebaker was an important chronicler of sixties counterculture.

To the general audience, he is probably best-known for the film clip to “Subterranean Homesick Blues“, in which Dylan displays and discards a series of cue cards bearing selected words and phrases from the lyrics of the song.

RIP Bryan Magee (1930–2019)

Bryan Magee was a British philosopher noted for bringing philosophy to television in the programs Men of Ideas (1978) and The Great Philosophers (1987).

A quick check found some really boring television (I love boring television if it’s extremely boring, regular television is just plain boring).

In the beginning of this bit two men in suits are sitting on a sofa facing each other as well as the camera. They are John Passmore and Bryan Magee and they discuss David Hume in 1987:

https://www.youtube.com/watch?v=UJLHf9Vt-m4&t=344s

And then there is this bit of 1977 when Magee interviews Herbert Marcuse:

RIP Rutger Hauer (1944 – 2019)

Rutger Hauer was a Dutch actor best known for his role as Roy Batty, the renegade replicant in the cult film Blade Runner (1982).

Especially famous is Hauer’s death soliloquy:

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.”

In 1986, The Hitcher came out in which Hauer plays a homicidal and suicidal psychopath who ends up killing the beautiful Nash (played by Jennifer Jason Leigh who was 26 at the time) in the most cruel fashion.

Luck has it that the full film of The Hitcher is on YouTube:

https://www.youtube.com/watch?v=AUnXsEsJGtQ
Jennifer Jason Leigh from 23:46 onward

The film encyclopedia Cult Movie Stars mentions Hauer’s “semipornographic lovemaking scenes with Monique van de Ven in Turkish Delight, Theresa Russell in Eureka, Sylvia Kristel in Mysteries and Jennifer Jason Leigh in Flesh + Blood.”

RIP Rip Torn (1931 – 2019)

Rip Torn was an American actor. To an international audience he is remembered for his roles in Coming Apart (1969), Maidstone (1970), Tropic of Cancer (1970) and The Man Who Fell to Earth (1974).

Excerpt of Coming Apart
Famous hammer hitting scene of Maidstone
https://www.youtube.com/watch?v=oywm-RcQ4mQ&t=195s
Tropic of Cancer, full Italian dubbed version
The Man Who Fell to Earth trailer

The book Cult Movie Stars describes his integrity and says that he “took parts only in films that he considered artistic and/or politically correct.”

He was also known for his on-set conflicts. While filming Maidstone for example, Torn struck director and star Norman Mailer in the head with a hammer. With the camera rolling, Mailer bit Torn’s ear and they wrestled to the ground. The fight continued until it was broken up by cast and crew members. The fight is featured in the film.

RIP João “bossa nova” Gilberto (1931 − 2019)

João Gilberto was a Brazilian musician known for pioneering the musical genre of bossa nova in the late 1950s.

The history of bossa nova starts with this recording:

Canção do Amor Demais (1958) by Elizete Cardoso

Canção do Amor Demais (1958) by Elizete Cardoso features the compositions “Chega de Saudade” and “Outra Vez”, both featuring João Gilberto’s guitar beat, which would go on to become a staple of bossa nova.

Then there is bossa nova’s defining moment, the release of “Bim-Bom” (1958), most often claimed to the first bossa recording.

“Bim-Bom” (1958)

While researching Gilberto’s death it came to my attention that bossa nova is considered a nobrow phenomenon, i.e. the mixing of high and low culture .

Perhaps Caetano Veloso was the first to make this point in 2013 in The Guardian:

“It [bossa nova] was possibly the first popular music where the themes were existential […] It’s part of what makes it high art. Third-world countries usually produce raw materials that are then transformed into capital by first world nations. This happens in industry, but it also happens in the arts. What was revolutionary about bossa nova is that a third-world country was creating high art on its own terms, and selling that art around the world.” —Caetano Veloso in “Why bossa nova is ‘the highest flowering of Brazilian culture”.

When I further investigated, I came upon this quote by José Miguel Wisnik in Robert Stam’s World Literature, Transnational Cinema, and Global Media (2019) which makes the nobrow point explicitly:

The result within MPB (Popular Brazilian Music) was a perhaps unprecedented synthesis of “high” and “low” culture. Wisnik notes the “permeability established, beginning with Bossa Nova, between so-called culture and popular cultural production, forming a field of encounters that cannot be understood within the binary between music of entertainment and creative and informative music.

RIP Artur Brauner (1918 − 2019)

After the death of Ben Barenholtz, another film producer expires.

Artur Brauner was a German film producer and entrepreneur of Polish origin.

I came upon him by way of Jess Franco (Brauner produced Vampyros Lesbos) and also via the film adaptations of Edgar Wallace (The Devil Came from Akasava, also directed by Franco).

Hollywood Reporter summarizes my sympathy for this man in this soundbite: “while his dramas won awards, it was sex and sensationalism that often paid the bills”[1]. This also explains why Brauner too is a bit of a cinematic Losfeld who typically financed high art with exploitation.

https://www.youtube.com/watch?v=qUplrk3tO9A

The Thousand Eyes of Dr. Mabuse (1960, full film)

The Good Soldier Schweik (1960, excerpt)

https://www.youtube.com/watch?v=IJyD3Bnwvxc

The Bird with the Crystal Plumage (1970, full film)

https://www.youtube.com/watch?v=-e2bT0VJ-uk

Vampyros Lesbos (1971, Soledad Miranda dance)

RIP Latsploitation queen Isabel Sarli (1935 – 2019)

Isabel Sarli was an Argentinian model and actress known for her risqué films. As such, she was the Latin American Brigitte Bardot. The first film to show her nude was Thunder Among the Leaves (1957) which has her skinny-dipping from 50:09 to 51:38. There are also nude indigenous females (26:34 and subsequent scenes).

https://www.youtube.com/watch?v=il6JYLiWfm0&t=4093s

Thunder Among the Leaves (1958)

If you are more into the wackier films like I am, there is Carne (1968) with Isabel Sarli as Delicia, a worker in a meat-packing factory; Fuego (1969) with Sarli as a nymphomaniac; and Fiebre (1970) in which Sarli falls in love with a horse when she sees a stallion mounting a mare.

Carne (1968)

https://www.youtube.com/watch?v=3tbFpPyluLs

Fuego (1969)

https://www.youtube.com/watch?v=9GPa1ff-ImY

Fiebre (1970)

Searching for “Isabel Sarli”, “sexploitation” and “Latsploitation” brings up snippets such as “generally boring sexploitation film about one of those favorite characters in male reveries, a nymphomaniac.” ([on Fuego] in Cue – Volume 40, Issues 1-13 – Page 67 (1971)); “Isabel Sarli breasting her way through further south-of-the-border sexploitation affairs. […] There’s never been a nudie movie queen more amply endowed than Argentina’s Isabel Sarli who simply has to shed her clothing to make things like story and characterization seem irrelevant.” (Film Bulletin – Volume 39 (1970)); “Woman and Temptation is zero as art, but the talents of the buxom Isabel Sarli make this a top sexploiter entry.” (Filmfacts – Volume 12 (1969)) and “While we cannot claim that Sarli’s films would adhere to a feminist agenda …” (Latsploitation, Exploitation Cinemas, and Latin America (2009)).

RIP Maurice Bénichou (1943 – 2019)

Maurice Bénichou was a French actor, best-known internationally for his part in Amélie. His other work includes three collaborations with director Michael Haneke (Code Unknown, Time of the Wolf, and Caché). He has also played in Peter Brook’s 6 hour film version of The Mahabharata.

The death of Bénichou may be a good occasion to dive into the work of Haneke, one of the more interesting of contemporary directors.

https://www.youtube.com/watch?v=TfKj-BulY9U

Majid (Bénichou) committing suicide in Caché.

Bretodeau (Bénichou) receiving a phone call and his youth treasures in a box in Amélie.

Unnamed character (Bénichou) defending Binoche from sexual aggressors in Code Unknown.