His magnum opus Lanark (1981) features a skin disease called ‘dragonhide’.
Adjectives applicable to this work are grotesque, fantastique and rabelaisian.
The book has a tendency to depress.
Update: The skin disease ‘dragonhide’ reminds me of Maldoror: “I am filthy. I am riddled with lice. Hogs, when they look at me, vomit. My skin is encrusted with the scabs and scales of leprosy, and covered with yellowish pus.”
Jerry Herman was an American composer and lyricist, known for his work in Broadway musical theater. He composed the scores for the hit Broadway musicals Hello, Dolly!, Mame, and La Cage aux Folles. He was nominated for the Tony Award five times, and won twice, for Hello, Dolly! and La Cage aux Folles.
By pure coincidence I was watching Paris Is Burning (1990) this afternoon, it features the Jerry Herman-penned gay anthem “I Am What I Am” from La Cage Aux Folles.
Sometimes, the death of someone serves as a jumping board to something only tangentially related to the deceased. This is the case with the Yo Yo film fragment with its mime aesthetic in which Auger plays Isolina.
Nevertheless, please enjoy despite its tangentiality.
When the second died I felt empathy, some sense of loss that I had not felt with the first.
And then it dawned on me why that was. To me, Panamarenko was but some sort of town’s fool who made art to amuse the rich or for the ‘poor little rich folk’ who were in search of their inner child and recognized in him their boy’s dream. Although I did not dislike him, my feelings toward him had been at best ambiguous.
Deelder was another case altogether.
I’d always liked him. He was punk. He was into drugs. He snorted speed. He looked stylish. He was into music. He made poetry cool. He made art for the rich and poor. He crossed boundaries. He was sharp. He was funny.
For an international audience, there are a set of four jazz compilations: ‘Deelder draait’ (2002), ‘Deelder draait door’ (2003), ‘Deelder blijft draaien’ (2004) and ‘Deelderhythm’ (2006).