The film is a laudable attempt to fictionalize the history of erotica and is appears to be based on The Other Victorians (1964) which was the first book to revert the received idea of Victorian prudishness. It’s similar to way worse movies such as Sexual Freedom in Denmark (1970).
You can watch Naughty as I just did by following site:https://www.eroticage.net “naughty”. That ‘eroticage.net’ site seems interesting because it has lots of vintage erotica films from the golden age of porn.
P.S. While researching Naughty! I found out that William Levy passed away in 2019.
I first learned of P-Orridge in the late 1980s during the acid house period. I remember some of their Psychic TV material from the radio shows by Luc Janssen. However, I can’t seem to find the tracks that I heard at the time.
De Benedictus was part of the New York dance music scene which was centered around two discotheques: the Paradise Garage and the Loft. I leave out Studio 54 on purpose.
I believe I told this story before, but for many years I hunted Antwerp flea markets for vinyl. My prey were records played by DJ Larry Levan at the New York discotheque Paradise Garage.
I was assisted in my hunt by a internet list of records I had found in 1996. You can find that list of 1100+ records here. I printed it and tried to learn the names by heart and started hunting.
At the time, I was already a fan of house music. I listened to radio shows by Pierre Elitair and the guys behind Liaisons Dangereuses. But now, finally, I found the antecedents of that kind of hedonistic nightlife music.
I gradually delved deeper, learning which labels to buy (Salsoul, West End, Prelude), which producers to focus on (Patrick Adams) and which artists to follow (Arthur Russell).
Where had this fascination with dance music come from?
I don’t know.
I remember when I was in my early twenties, walking along the Meir, hearing “Rotation” by Herb Alperts, and being intrigued by this music which could not be heard on the radio.
This world continues to fascinate me.
Michael de Benedictus role in that world was short and modest but large enough for me to document his legacy during a couple of hours on a lost coronavirus afternoon.
In my universe, he has a minor role in Death Watch (1980) a film which caught my attention at a young age. It tells the story of a woman with an incurable disease who will be filmed 24/7 until her death.
Its theme is still my theme: technology, reality television and its impact on society.
Von Sydow has but a minor part in this film.
Speaking of reality television. The most underrated film with reality television as a trope is Paul Bartel’s The Secret Cinema (1968).