Kirk Douglas was an American actor best-known for playing Spartacus in the film Spartacus (1960).
In modern times, Spartacus became an icon for communists and socialists. Karl Marx listed Spartacus as one of his heroes and described him as “the most splendid fellow in the whole of ancient history” and a “great general, noble character, real representative of the ancient proletariat“.
Dyanne Thorne was an American actress best known for her film Ilsa, She Wolf of the SS (1974).
I actually saw that film.
Ilsa conducts sadistic scientific experiments designed to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the army. Ilsa is also portrayed as having a voracious sexual appetite for her male prisoners, whom she then castrates and kills.
It plays with the tropes of male anxiety of sexual inadequacy and the fear of castration.
Her character was very loosely based on that of Ilse Koch.
George Steiner was a Franco-American literary critic and essayist.
His anti-pornography essay “Night Words” (1965) was the first of his writings which came to my attention in my capacity as pornosopher in the early 2000s.
Although I did not agree with them, his points were well-written and intellectually interesting.
Consider:
“My true quarrel with the Olympia Reader and the genre it embodies is not that so much of the stuff should be boring and abjectly written. It is that these books leave a man less free, less himself, than they found him; that they leave language poorer, less endowed with a capacity for fresh discrimination and excitement. It is not a new freedom that they bring, but a new servitude. In the name of human privacy, enough!”
But then again, he also found the pearls and showed an appreciation for Diderot, Crebillon fils, Verlaine, Swinburne and Apollinaire. Pornography as such is just not very interesting, it is only interesting where it intersects with other genres or with other domains of interest in meaningful ways. In that sense, it is very similar to other art forms.
I happened to read In Bluebeard’s Castle (1971) during last summer. I had discovered the work when researching the notion of Western guilt. The book features the much quoted dictum:
“And it is true also that the very posture of self-indictment, of remorse in which much of educated Western sensibility now finds itself is again a culturally specific phenomenon. What other races have turned in penitence to those whom they once enslaved, what other civilizations have morally indicted the brilliance of their own past? The reflex of self-scrutiny in the name of ethical absolutes is, once more, a characteristically Western, post-Voltairian act.”
The book was on David Bowie’s Top 100 Books .
Am I the first to notice the similarities between the opening basslines of “Travelin’ Man” (1976) by Stanley Cowell and “Seven Nation Army” (2003) by The White Stripes?
Andy Gill was a British musician famous for his work with Gang of Four.
Compositions of note are “I Love A Man In A Uniform” (1982) featured on the compilation Various – 80’s Underground Clubbing and “Damaged Goods” (1978) featured on the compilation How to Kill the DJ part 2.
Needless to say, these compilations are more interesting than the full albums of Gang of Four.
Trivia: the opening sequence of the track “What We All Want” (1981) is reminiscent of “Play That Funky Music (1976).”
Yesterday, as I was reading up on the recently deceased Monique van Vooren, I searched for Fearless Frank (1967) on YouTube and stumbled upon Fearless Frank, or Tit-bits from the Life of an Adventurer (1978). This is a BBC television film directed by Colin Bucksey, an adaptation of Frank Harris’s autobiography My Life and Loves (1922-27) starring Leonard Rossiter as Frank.
There is an amusing scene at 56:29 at the Cafe Royal with Ernest Dowson, Oscar Wilde, Bernard Shaw, Lord Alfred Douglas and Whistler which gives an idea of the boasting of Harris.
And at 35:20 one hears Carlyle say to Frank:
“I did not consummate my marriage Frank … my poor Jane died a virgin.”
A quick search finds that the phrase “Jane Welsh Carlyle died a virgin” is featured in David Markson’s ‘novel’ The Last Novel.
Part of the fun of the writings of Frank Harris is not only the sex bits, but the self-aggrandizing demeanor of Frank.
This is a very enjoyable play, I imagine it to be the best quick introduction to the person and writings of Frank Harris.
Monique van Vooren was a Belgian-born American actress and dancer, perhaps best-known for her part in Andy Warhol’s Frankenstein (1973), also known as Flesh for Frankenstein.
In that film she is baroness Frankenstein, wife and sister of baron Frankenstein (Udo Kier). The film’s pretty awful but the gore is marked by high production values and it features Van Vooren nude in a duo with Joe Dallesandro with some ridiculously loud armpit slurping.
The Poughkeepsie Shuffle: Tracing ‘The French Connection’ (2000)
Sonny Grosso was a New York City police detective turned movie and television producer, noted for his role in the “French Connection” heroin bust immortalized in the The French Connection (1971), directed by William Friedkin.
The BBC documentary The Poughkeepsie Shuffle: Tracing ‘The French Connection’ (2000) [above] features him extensively.
After being an adviser on The French Connection, Grosso went on to play a part in the film Cruising (1980), also directed by William Friedkin.
This film is also the subject of a documentary (above).
John Karlen was an American actor. Outside of the United States, he was primarily known for his lead in the Belgian film Daughters of Darkness (1971), a lesbian vampire exploitation chic vehicle.
Jimmy Heath was an American jazz saxophonist, part of the Heath Brothers.
Like most Gen X melomaniacs who grew up with vinyl but switched to CDs (the musical fraud of the century), I discovered Mr. Heath on the Soul Jazz Love Strata-East (1994) compilation.
On that album is “Smiling Billy Suite Pt.II” (1975) from the album Marchin’ On (1975) by the Heath Brothers.
Here is that whole album: