Marcel Zanini was een in Turkije geboren Franse muzikant best gekend voor zijn song “Tu veux ou tu veux pas” (1969).
Enfin, ik zeg zijn song, maar het was helemaal zijn song niet. Hij vertaalde of hij zong een vertaalde versie van “Nem Vem Que não Tem” (1967) van Carlos Imperial, een lied eerst op de Braziliaanse markt gebracht door Wilson Simonal voor Odeon.
Jullie kennen het nummer van de versie die Bardot uitbracht in 1970.
This happened back in 2014 but I only found out today.Continue reading
In his solo career he released songs such as “Ils Sont Marrant les Gens” on the album Imbécile (2007), which means “people are funny”.
Question: did Olivier Libaux commit suicide?
This happened in 2015, but I only found out today.
Pierre Jansen was a French composer working in film. He was in particular the permanent collaborator of Claude Chabrol for whom he composed the music for many films.
He also scored the above documentary Acera, or the Witches’ Dance (1972) by Jean Painlevé.
Patrick Juvet was a Swiss singer-songwriter who had a string of hit records in France (“Où sont les femmes?”) during the seventies.
He found international success with disco compositions such as “I Love America” (1978) which was his biggest record and was included on the compilation A Night at Studio 54 (1979).
Also in 1979, he wrote the soundtrack to Laura by David Hamilton.
By the early eighties, after the death of disco, his five minutes of fame were over.
Françoise Cactus was a French musician and author.
Her band Stereo Total provided some music for the highly regarded TV series The Trap and All Watched Over by Machines of Loving Grace by Adam Curtis.
Tonton David was a French reggae singer best known for his song “Peuples du monde” (1990).
Juliette Gréco was a French actress and singer.
She first appeared on my radar in 2010 in the Gainsbourg movie Gainsbourg: A Heroic Life where she is played by Anna Mouglalis.
Below the song “L’Accordéon” (1962) in which she plays her own black-clad body as an instrument. Very French and sensual.
While cycling to work, it dawned upon me that “L’Accordéon” reminded me of the Mary Poppins song “Chim Chim Cher-ee” (1964).