And in France, Jean-Loup Dabadie died.
Dabadie wrote the lyrics to the song “But Now I know” (1973), which was released as “Maintenant je sais” (1974) in French.
Philippe Nahon was a French actor known for his roles in French horror and thriller films.
Nahon was has been described as the fetish actor of maverick director Gaspar Noé, playing a nameless butcher in no less than three films: Carne, I Stand Alone, and Irréversible (cameo).
Above is the gimmicky “30 seconds to leave this film” scene from I Stand Alone (1988).
The film is especially bleak.
Not surprisingly, because it focuses on several pivotal days in the life of a butcher faced with abandonment, isolation, rejection and unemployment.
There was a time when I relished these kind of films. I remember seeing a trailer for Henry: Portrait of a Serial Killer and absolutely wanting to see it.
The attraction for this fare has largely faded.
Nevertheless, watching scenes from I Stand Alone, one cannot help being immediately intrigued.
This happened two years ago but I only found out today.
Also, I had never heard of Joe Frank.
Today, I googled for Ken Nordine and ASMR (one of my guilty pleasures) and I found Joe Frank.
I listened and liked immediately and immensely. Frank is an absolute genius.
Up there in absurdity with the likes of Roland Topor.
Joe Frank was a French-born American writer radio performer known for his philosophical, humorous, surrealist, and absurd monologues and radio dramas, says Wikipedia.
Typical radio dramas include “Bad Karma” (2000) and “That Night” (1994).
“Bad Karma” opens with:
“I’m sitting at a dinner party attended by Pol Pot, Hitler, Stalin and Mao. Seated at another smaller table are Saddam Hussein, Slobodan Milošević, Pinochet and some others I don’t recognize. And then there’s a third table, sort of a children’s table, it has shorter legs and smaller children’s chairs. And sitting there are Richard Speck, Gary Gilmore, Jeffrey Dahmer, John Wayne Gacy, Ted Bundy and Charles Manson.”
Synopsis from “That Night”:
“Joe’s uncle drowns while fishing a week after retiring, urban animal criminals, voyeur complains about a nude woman, sex with nuns in a limo, an elderly marching band and homecoming parade has been lost for 40 years and is being chased by homecoming queen’s fiance, creating life-size maps, to Jesus: why is there so much suffering, we’re on the edge of chaos, it’s great to feel a part of nature monologue with traffic background, monologue on sleep (repeated in other programs).” 
“That Night” also mentions maps on a 1:1 scale, just as Borges did in his one-paragraph story “On Exactitude in Science”.
Bill Withers was an American singer-songwriter known for songs such as “Lean on Me”, “Use Me” and “Ain’t No Sunshine”.
I give you “Who Is He (And What Is He to You)?” (1972) because it’s one of the best adultery songs ever with the unforgettable opening lines:
A man we passed just tried to stare me down
And when I looked at you
You looked at the ground
While researching this death, I came across a rather smart piece of music criticism by the American author Robert Christgau (born 1942):
“Withers sang for a black nouveau middle class that didn’t yet understand how precarious its status was. Warm, raunchy, secular, common, he never strove for Ashford & Simpson-style sophistication, which hardly rendered him immune to the temptations of sudden wealth—cross-class attraction is what gives ‘Use Me’ its kick. He didn’t accept that there had to be winners and losers, that fellowship was a luxury the newly successful couldn’t afford.
Kenny Rogers was an American singer mainly known for his work in country music.
Since I have but a flimsy a connection with that genre, my lemma on Mr. Rogers is satisfyingly brief.
However, early in his career, Kenny put out two quirky and interesting records.
The first is “Just Dropped In (To See What Condition My Condition Was In)“, a song that reflects the LSD experience and captures the short-lived psychedelic era of the late 1960s.
Then there is “Ruby, Don’t Take Your Love to Town“, a song about the male angst of a paralyzed Vietnam war veteran and his wife who goes to town to find a lover.
The “Ruby” song concludes with the darkly ominous words “If I could move I’d get my gun and put her in the ground.” Bit of nasty femicide threat there for ya.
Charles Wuorinen was an American composer.
He is best-known for Time’s Encomium (1969), his electronic piece.
McCoy Tyner was an American jazz pianist.
What links McCoy Tyner to the Jahsonic 1000?
Let me tell you.
Among Tyner’s most critically acclaimed albums is Trident (1975).
On that Trident album there is a musical composition called “Impressions” which features a bassline by Ron Carter which was sampled throughout the “The Choice Is Yours (Revisited)” (1991) by Black Sheep. The sample is well-known in hip hop midst because in fact it is the spine of that song. It is also in the Jahsonic 1000.
The song “Impressions” is an interpretation of Coltrane’s composition Impressions (1962).
Peter Wollen was a British film theorist, filmmaker. and political journalist.
He is best-known for his book Signs and Meaning in the Cinema (1969) as well as his marriage to and collaboration with Laura “visual pleasure” Mulvey.
Above is an enigmatic video from Paper Tiger Television in which Wollen “reads the U.S. Press: ‘People Magazine’ and ‘Scientific American’ in the Same Breath”.