Jon Hassell was an American composer and trumpet player best known for combining elements of various world music traditions with modern electronic techniques.
His music has a mesmerizing quality.
Of note is his collaboration with Moritz von Oswald (Oswald is the new Laswell).
Ellen McIlwaine was an American singer-songwriter and musician best known for her career as a solo singer, songwriter and slide guitarist.
“Jimmy Jean”
I discovered her via Life:Styles – Kenny Dope (2003) which features her “Jimmy Jean” song, originally released on the album We The People (1973). The congas you hear are, as far as I know, by Cándido Camero.
Her song “Can’t Find My Way Home” is reminiscent of “You Goin’ Miss Your Candyman” (1968) is a song by Terry Callier.
With Jean-Luc Godard he made the short subject “Film-tract 1968”.
Photogenic Painting (2000) is an English translation of two texts: “Le peintre et le modéle” (1973) by Gilles Deleuze and “Le désir est partout. La peinture photogénique” (1975) by Foucault.
Raul de Souza was a Brazilian trombonist of quite some renown.
Colors (1975)
De Souza released at least two disco-ish songs: “Sweet Lucy” (1977), which is on the Derrick Carter Choice installment, and “‘Til Tomorrow Comes” (1979).
Deliverance is known for its “dueling banjos” scene, its degenerate hillbilly trope and its brutal male-on-male rape, in which Ned Beatty is ordered to “squeal like a pig” while being anally raped.
In Network Beatty plays an executive who gives a speech on the nature of capitalism.
Epigraph page to Deliverance
This is also a good time to call to mind that in the novel Deliverance on which the film of the same name is based, the dictum “there exists at the basis of human life a principle of insufficiency” by Georges Bataille, is used as epigraph in the original French.
This happened in 2015, but I only found out today.
Pierre Jansen was a French composer working in film. He was in particular the permanent collaborator of Claude Chabrol for whom he composed the music for many films.
He also scored the above documentary Acera, or the Witches’ Dance (1972) by Jean Painlevé.
Towards the end of this review, you will find a nice set of scenes from this film.
Miklós Jancsó directed many well respected films but you can find a copy of the less respected but more interesting Private Vices, Public Pleasures (1976) by googling for it. You will find it on a well-known porn website. The film is, along with similar outings such as The Beast (1975), typical from European sexual revolution cinema.