Louise Bennett-Coverley gave Harry Belafonte the foundation for his 1956 hit “Day-O (The Banana Boat Song)” by telling him about the Jamaican folk song “Hill and Gully Rider” (the name also given as “Day Dah Light”).”
“Jamaica Farewell” was compiled and modified from many folk pieces to make a new song. Burgie acknowledged his use of the tune of another mento, “Iron Bar””.–Sholem Stein
I remember vividly how one night my parents went to a Harry Belafonte concert in Antwerp and lodged me and my brother in a fancy hotel which had a pool that was partly inside and partly outside the hotel. It was winter and the pool outside was steaming into the open air. This must have been before the first oil crisis. (update: I called my mother, it was the Sofitel, located on the Boomsesteenweg 15, Aartselaar)
Of that book, which was criticized at the time with the words “meaningless blur, grain, muddy exposures, drunken horizons and general sloppiness” by mainstream media, a criticism that by the way, became the hallmark of a new aesthetic in photography: the new snapshot aesthetic.
My fave picture of that collection is the photo of three gay men, looking defyingly into the camera. Behind them is a sign which reads ‘Don’t Miss Mister Instin …’.
Actress Sylvia Miles died. She was 94. I discovered her via the book Cult Movie Stars (1991) which I bought the year it came out. It describes Miles as a “quirky, funny, busty blonde New York character actress.”
The 1990s was the time of video rental stores and I after I had read Cult Movie Stars from cover to cover I scoured Antwerp looking for old films. So I saw a handful of Miles’ films including Heat (1972) [above], as well as many other Warhol films. Heat opens with the wonderful John Cale song, “Days of Steam” from the album The Academy in Peril (1972).