A Coney Island of the Mind (1958)
Lawrence Ferlinghetti was an American poet and publisher, co-founder of City Lights Booksellers & Publishers.
Ferlinghetti was best known for his first collection of poems, A Coney Island of the Mind (1958) with sales of more than one million copies.
As the owner of the City Lights bookstore, Ferlinghetti was arrested for publishing Allen Ginsberg‘s Howl, which resulted in a lengthy First Amendment trial.
RIP Simon Vinkenoog, 80, Dutch poet and writer.
Simon Vinkenoog (1928 – 2009) was a Dutch poet and writer. He was instrumental in launching the Dutch “Fifties Movement“.
In the Anglosphere Vinkenoog’s name is associated with the Albert Hall poetry event (and the film Wholly Communion) and his connection with IT magazine.
He was one of the Néerlandophone beat writers. The same cultural climate that begot the beat writers in the United States engendered European counterparts.
These countercultures must be looked for in two spheres, the sphere of European counterculture and the sphere of European avant-garde.
In France this was the Letterist International, in Germany perhaps Gruppe 47; visually and on a European scale there was COBRA.
Vinkenoog was born in the same year as Andy Warhol, Serge Gainsbourg, Jeanne Moreau, Nicolas Roeg, Guy Bourdin, Luigi Colani, Stanley Kubrick, Janine Chasseguet-Smirgel, William Klein, Roger Vadim, Yves Klein, Jacques Rivette, Alvin Toffler, Ennio Morricone and Oswalt Kolle.
Stonewall riots @40
![Stonewall riots @40[1] The Stonewall riots were a series of violent conflicts between New York City police officers and groups of gay and transgender people that began during the early morning of June 28, 1969, and lasted several days. Also called the Stonewall Rebellion or simply Stonewall, the clash was a watershed for the worldwide gay rights movement, as gay and transgender people had never before acted together in such large numbers to forcibly resist police. From the New York Times of June 29, 1969: HUNDREDS OF YOUNG MEN WENT ON A RAMPAGE IN GREENWICH VILLAGE, shortly after 3 A.M. yesterday after a force of plain-clothes men raided a bar that the police said was well known for its homo-sexual clientele. Thirteen persons were arrested and four policemen injured. The young men threw bricks, bottles, garbage, pennies and a parking meter at the policemen, who had a search warrant authorizing them in investigate reports that liquor was sold illegally at the bar, the Stonewall Inn, 53 Christopher Street, just off Sheridan Square.—New York Times, June 29, 1969[2] The Sanctuary epitomized the post-Stonewall era, when gay men had won the right to dance intimately together without worrying about the police.](http://22.media.tumblr.com/Y3KxdEiQup9bs39weHt9Eiebo1_400.gif)
From the New York Times of June 29, 1969:
The Stonewall riots were a series of violent conflicts between New York City police officers and groups of gay and transgender people that began during the early morning of June 28, 1969, and lasted several days. Also called the Stonewall Rebellion or simply Stonewall, the clash was a watershed for the worldwide gay rights movement, as gay and transgender people had never before acted together in such large numbers to forcibly resist police.
Except for Illinois, which decriminalized sodomy in 1961, homosexual acts, even between consenting adults acting in private homes, were a criminal offense in every U.S. state at the time the Stonewall Riots occurred: “An adult convicted of the crime of having sex with another consenting adult in the privacy of his or her home could get anywhere from a light fine to five, ten, or twenty years—or even life—in prison. In 1971, twenty states had ‘sex psychopath‘ laws that permitted the detaining of homosexuals for that reason alone. In Pennsylvania and California sex offenders could be locked in a mental institution for life, and [in] seven states they could be castrated.” (Stonewall: The Riots That Sparked the Gay Revolution, by David Carter, p. 15) Castration, emetics, hypnosis, electroshock therapy and lobotomies were used by psychiatrists to attempt to cure homosexuals through the 1950s and 1960s.(Katz, pp. 181–197.)(Adam, p. 60.)
Subsequent nightclubs, such as The Sanctuary, often billed as the first modern DJ-led nightclub of New York, epitomized the post-Stonewall era, “when gay men had won the right to dance intimately together without worrying about the police.” —Peter Braunstein
[Youtube=http://www.youtube.com/watch?v=beTsOONfVNk]
“Stained Sheets” (1979) Lydia Lunch
“Stained Sheets” is World Music Classic #325
Via « boredom is always counter-revolutionary
The full run of the International Times has been archived online[1].
The International Times (it or IT) was an underground paper started in 1966 in the UK, based in central London. Editors and writers included founders John Hopkins (Hoppy), Barry Miles and Jim Haynes. ITs first editor was the recently deceased playwright Tom McGrath. Singer of the Deviants Mick Farren, Jack Moore and avant-garde writer Bill Levy were closely involved. The name International Times was changed to just “it” for a time after objections from The Times newspaper. However, it was anyway generally referred to by the letters “I-T”.
Previously at Jahsonic[2].
RIP Stanley Chapman (1925 – 2009)[1]
via www.tate.org.uk
Cover illustration for Subsidia Pataphysica, no.1, 19 December 1965
Stanley Chapman (1925 – 2009) was a British architect, designer, translator and writer. His interests included theatre and pataphysics. He was involved with founding the National Theatre of London, was a member of Oulipo of the year 1960, founder of the Outrapo and a member also of the French Collège de ‘Pataphysique, president the London Institute of ‘Pataphysics and the Lewis Carroll Society. His English translation of Hundred Thousand Billion Poems was received with “admiring stupefaction” by Raymond Queneau.
RIP Christopher Gray (1942 – 2009)
Leaving the 20th Century: The Incomplete Work of the Situationist International (1974) – Christopher Gray [Amazon.com] [FR] [DE] [UK]
Christopher Gray is a British writer and activist, editor of Leaving the 20th Century: The Incomplete Work of the Situationist International (1974). He was a member of the British SI and of King Mob.
Leaving the 20th Century: The Incomplete Work of the Situationist International (1974) is an anthology of Situationist texts edited by British activist Christopher Gray. The original edition was designed by Jamie Reid.
Harvey Keitel (born May 13, 1939) is an American actor best-known for the “tough-guy” characters he portrays and for his memorable roles from Quentin Tarantino’s Reservoir Dogs and Pulp Fiction, Martin Scorsese’s Mean Streets and Taxi Driver, Ridley Scott’s The Duellists and Thelma and Louise, Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.
Bad Lieutenant (1992) – Abel Ferrara [Amazon.com]
But surely, his most unsettling film is the Bad Lieutenant by bad boy of American cinema Abel Ferrara.
The film is squarely located in the oasis of American cinema known as the NC-17 pond. Its thematics are religion, rape revenge and general hardboiled existentialism. Its protagonist is Keitel who is tagged as Gambler. Thief. Junkie. Killer. Cop. Keitel’s nameless character is a corrupt police lieutenant who, throughout the movie, is spiralling rapidly into various drug addictions, including cocaine and heroin. His lack of success at gambling reflects his lack of faith. The turning point in the film arrives when the Lieutenant investigates the rape of a nun and uses this as a chance to confront his inner demons and perhaps achieve redemption.
The film features male frontal nudity of Keitel, a rarity in American cinema.
Most recently, erotic photographer Roy Stuart, in his Roy Stuart, vol. 5 reenacted the scene when Keitel stops two young girls in their car, discovers that they have no driver’s license and forces one to bare her behind and the other to simulate fellatio, while he masturbates.
Werner Herzog is to release a similarly titled film in 2009: Bad Lieutenant: Port of Call New Orleans starring Nicolas Cage and Val Kilmer. According to Herzog, the film is not a remake of the original. In fact, Herzog claims to have never seen Bad Lieutenant, nor to know who Abel Ferrara is.
Bad Lieutenant is World Cinema Classic #101.
In the history of world erotica I present you with Le Poitevin’s diableries.
From the Les Diableries Erotiques by Eugène le Poitevin
Eugène le Poitevin (1806 – 1870) was a French artist, author of Les Diableries Erotiques.
He is an underrated figure in the history of French erotica and his engraving above from the aforementioned Les Diableries Erotiques is icon of erotic art #42.
Diableries are an interesting genre and illustrates how — before the “invention” of erotica and pornography — body parts and the people possessing them were used for subversive purposes, here as a form of satirical pornography or pornographic satire. The genre goes back to Rabelais, although his masterpiece Gargantua and Pantagruel was more emetic than erotic.
Gargantua and Pantagruel by François Rabelais, illustrated by Gustave Doré in 1873
Cardinal Armand de Rohan-Soubise by anonymous
Anonymous satirical caricature of the Cardinal Armand de Rohan-Soubise (1717-1757); this engraving is a good example of “pornography” as a tool for political subversion during France’s ancien régime.
Of course, artists such as Le Poitevin deserve a place in the history of derision, a playful and benign derision that is turned toward ourselves, toward the very core of human nature. As such it is also a piece of toilet philosophy.
Remarkably, the writeup on a Poitevin engraving not depicted here in my edition of Erotic Art of the Masters the 18th, 19th, 20th Centuries Art & Artists , author and editor Bradley Smith notes “penises and vaginas fly through the air like butterflies, are gathered in baskets and, personified, play games with adults and children.” This quote echoes the following by Deleuze and Guattari, “Flying anuses, speeding vaginas, there is no castration” (A Thousand Plateaus, p. 32).
Nikolai Gogol @200
Poprishchin, protagonist of Nikolai Gogol‘s “Diary of a Madman” painted by Ilya Repin
Nikolai Gogol will be 200 tomorrow morning (that’s the day after tomorrow, I skipped a day here). Like so many of us of the internet generation, we stumbled upon Gogol via Mario Bava’s Black Sunday.
He is an icon of 19th century literature, Russian literature, grotesque literature and fantastic literature.
“What an intelligent, queer, and sick creature!” —Ivan Turgenev
“I don’t know whether anyone liked Gogol exclusively as a human being. I don’t think so; it was, in fact, impossible. How can you love one whose body and spirit are recovering from self-inflicted torture?” —Sergei Aksakov
Gogol wrote in the literary tradition of E.T.A. Hoffmann (The Sandman) and Laurence Sterne (Tristram Shandy), often involving elements of the fantastic and grotesque. In addition, Gogol’s works are often outrageously funny. The mix of humor, social realism, the fantastic, and unusual prose forms are what readers love about his work.
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