Spencer Davis was a British musician known for such songs as “I’m a Man” (1967).
I give you that song here in a 18 minute bastardized disco version released in the US on Prelude.
It became a staple at the Paradise Garage, being, of course, popular with the gay crowd. I can just see all these men dancing and mouthing the “I’m a Man” words while touching their bodies and glancing lasciviously at one another. Lovely.
This I know from the time in the late 1980s when I bought L’Écho des savanes and RanXerox was my hero. That time.
Alex Varenne is famous for his erotic comics which were fashionable from the late 1960s onwards. In this short reportage, he tells about his career in erotic comics, how his love life was very rich and full, how he drew from live models, his girlfriends, or friends of this girlfriends, how he used to tell his models stories, how the times have changed, starting in the sexual revolution, the era between the pill and AIDS (“La periode apres la pilule … avant le sida …”) , then the onset of BDSM and current times which are largely masturbatory. He talks about his admiration for Roy Lichtenstein.
In DJ-land, the name José Padilla has achieved mythical proportions. One associates it with a beautiful sunset in a beautiful bar listening to beautiful music. The place I just described was a real place called Café del Mar and Padilla was its DJ. Café del Mar is also the title of a series of chill-out music compilations.
Padilla’s own compositions are not very interesting, and truth be told, his Café del Mar compilations aren’t either.
I once wrote that the ‘Café del Mar’, ‘Hôtel Costes’, ‘Buddha Bar’ and ‘Verve Remixed’ compilations served to satisfy the chill-out, downtempo, lounge, ambient and trip hop tastes of the late 1990s and the early 2000s yuppie crowds. Needless to say, these compilations were but the ersatz fix for a genuine sophisticated sound. Take Italian lounge of the 1960s and 1970s, for example.
I mean, seriously, listen for yourself and check “Tema di Londra” (1967) by De Masi and Alessandroni or “Deep Down” (1968) by Morricone.
And if it’s pure ambient you are after, check Brian Eno or my hero Hiroshi Yoshimura.
Bunny Lee was a Jamaican record producer and one of the major forces in the Jamaican music industry, producing hits throughout his long career.
“Wet Dream”
His song “Wet Dream”, interpreted by Max Romeo, became popular in 1968 despite being banned on the BBC; and Eric Donaldson’s “Cherry Oh Baby” would be covered by the Rolling Stones.
“My Conversation”
Lee also produced the perennial riddim “My Conversation”.
‘If Deejay Was Your Trade’ (1994)
The compilation ‘If Deejay Was Your Trade’ (1994), which was the debut release of the reggae compilation label Blood and Fire, consists of a selection of his productions from the period 1974-1977.
On the Belgian popcorn scene, popular recordings of Nash included “Some of Your Lovin'”, “Old Man River”, “Moment of Weakness”, “Kisses”, “I’m Leaving”, “I’m Counting On You” and “Don’t Take Away Your Love”.
Eddie Van Halen was a Dutch-American guitarist and songwriter working in hard rock. He enjoyed crossover success with “Jump” (1983), a song that was discouraged from being broadcast on American radio because during 9/11 Americans had witnessed too many jumpers.
In my universe he is known for his guitar solo on “Beat It” (1982) by Michael Jackson.
Kenzō Takada was a Japanese fashion designer. He was, with Yamamoto, the most famous Japanese fashion designer of the 1980s.
Some of my best friends are in fashion. The fashion and arts scene always threw the best parties here in Antwerp, as I suppose, they do anywhere around the world.
Of all the arts, fashion probably is at the same time the most vacuous and the most embodied of the arts; the most ephemeral and the most ‘out there’.