Ben Barenholtz was a film producer who is best-known for financing Miller’s Crossing (1990), Barton Fink (1991) and Requiem for a Dream (2000).
“Best-know” is a exaggeration, because outside of the film world he is not known at all. I’ve written about my fascination with financing of art films in a blogpost titled the “cinematic Losfeld” in which I compared these film producers with Éric Losfeld.
My comparison to Éric Losfeld is perhaps not optimal, since Losfeld worked in the shadows of legality and Barenholtz worked in the margins but not in illegality.
When Barenholtz was younger, he was a movie theater manager and film programmer. As such, he was famous for creating the concept of the midnight movie, the programming of cult films at midnight (because of there unsuitability for children) during the 1970s and 1980s, before VCR and video rental came and changed film consumption forever.
Actress Sylvia Miles died. She was 94. I discovered her via the book Cult Movie Stars (1991) which I bought the year it came out. It describes Miles as a “quirky, funny, busty blonde New York character actress.”
The 1990s was the time of video rental stores and I after I had read Cult Movie Stars from cover to cover I scoured Antwerp looking for old films. So I saw a handful of Miles’ films including Heat (1972) [above], as well as many other Warhol films. Heat opens with the wonderful John Cale song, “Days of Steam” from the album The Academy in Peril (1972).
Dick Miller was an American actor (Gremlins, The Little Shop of Horrors, Death Race 2000) known for his films with Roger Corman. He later appeared in the films of directors who began their careers with Corman, including James Cameron and Joe Dante.
He was, in the words of Cult Movie Stars (1991) a “scene-stealer in low-budget horror films”.
Above is the enormously amusing film The Little Shop of Horrors (1960, above) in which Miller plays a carnation-eating (“I’m crazy about kosher flowers”) regular customer of the florist in which the film is set.
Minute 34:48 has Jack Nicholson come in as a masochistic client to the dentist. That scene was later done by  with Steve Martin as the dentist and Bill Murray as the client.
I’ve seen quite some films with mister Miller, all entertaining, unassuming and unpretentious.