The performance is a combination of a sadomasochistic performance, artsploitation and carnography.
A typical scene from Herman Nitsch’s happenings featured cruelty, sexuality, blood and violence.
In the “Maria-Conception-Action: Hermann Nitsch” a young women is crucified and defiled with a disemboweled lamb carcass.
That film is not featured on YouTube but it can be faintly seen on footage of a concert by the band Concrete Flesh.
The closest I ever came to witnessing a spectacle like this is, is seeing Tier Mon (1988) by La Fura dels Baus in Antwerp when I was 23. And then there was Abattoir Fermé, the Belgian theater group whose aesthetics sometimes flirt somewhat with that of Nitsch.
Orlando Julius was a Nigerian composer, saxophonist, singer, and songwriter, known for compositions as “Ashiko” (1975 or earlier).
His voice and text “kawa oma ranti, ranti ile o, isedale baba awa” [we will always remember the roots of our parents] is featured on “Going Back to My Roots” (1977) by Lamont Dozier.