Gottfried Böhm was a German architect and sculptor. His reputation is based on creating highly sculptural buildings made of concrete, steel, and glass.
He is best-known for the brutalist church Maria, Königin des Friedens.
Deliverance is known for its “dueling banjos” scene, its degenerate hillbilly trope and its brutal male-on-male rape, in which Ned Beatty is ordered to “squeal like a pig” while being anally raped.
In Network Beatty plays an executive who gives a speech on the nature of capitalism.
Epigraph page to Deliverance
This is also a good time to call to mind that in the novel Deliverance on which the film of the same name is based, the dictum “there exists at the basis of human life a principle of insufficiency” by Georges Bataille, is used as epigraph in the original French.
This happened in 2015, but I only found out today.
Pierre Jansen was a French composer working in film. He was in particular the permanent collaborator of Claude Chabrol for whom he composed the music for many films.
He also scored the above documentary Acera, or the Witches’ Dance (1972) by Jean Painlevé.
Towards the end of this review, you will find a nice set of scenes from this film.
Miklós Jancsó directed many well respected films but you can find a copy of the less respected but more interesting Private Vices, Public Pleasures (1976) by googling for it. You will find it on a well-known porn website. The film is, along with similar outings such as The Beast (1975), typical from European sexual revolution cinema.
B. J. Thomas was an American singer best known for interpreting the song “Raindrops Keep Fallin’ on My Head”, a song written by by Hal David and Burt Bacharach.
Benoît Sokal was a Belgian comic artist best known for his comics series Inspector Canardo (1979-2013). Canardo is an alcoholic, womanizing private investigator.
I was fond of him in the late 1980s, my comics phase, when I was especially fond of RanXerox.
John Margolies was an American architectural critic and photographer.
I just spent (while researching the fantastic Jacques Moeschal) two hours intermittently trying to find the title of the book on roadside architecture I sold five years ago and then I found out that it is the one above: The End of the Road: Vanishing Highway Architecture in America (1981).
The link with Moeschal being that with lots of irreverence (I love the word, as well as the practice of irreverence) you can call the ‘signs’ of Moeschal ‘roadside attractions’.