Philippe Sollers stierf. Hij verkocht gebakken lucht zoals nogal wat Franse intellectuelen.
Continue readingRIP Philippe Sollers (1936 – 2023)
Tag Archives: 1936
RIP Denise Coffey (1936 – 2022)
Denise Coffey (1936 – 2022) was an English actress, director and playwright known, among other things, for the satirical television program Do Not Adjust Your Set.
RIP Richard Podolor (1936 – 2022)
Richard Podolor was an American musician known for such songs as “The Quiet Surf” which is featured on The Rising Surf (1963).
RIP Roger Graef (1936 – 2022)
Roger Graef was an American-born British documentary filmmaker known for such films as One of Them is Brett (1965) and Why Save Florence? (1968).
Syl Johnson (1936 – 2022)
Syl Johnson was an American singer known for compositions such as “Is It Because I’m Black” (1969), a musical composition performed and co-written by Johnson.
RIP Joe Simon (1936 – 2021)
Joe Simon was an American singer who worked in the soul and R&B idioms. Well-known recordings are “The Chokin’ Kind” (1967) and “Drowning in the Sea of Love” (1971).
But I give you “Love Vibration” (1978) because Larry Levan used to played it at the Paradise Garage.
Be sure to also check “The Chokin’ Kind” for its interesting percussion. Morevoer, that song was written by Harlan Howard, the same songwriter who gave us country music favorite “No Charge”.
RIP Dean Stockwell (1936 – 2021)
Dean Stockwell was an American actor, internationally perhaps best-known for lip syncing “Blue Velvet” (1951) in Blue Velvet (1986) with a lamp shining on his face.
RIP Nino Castelnuovo (1936 – 2021)
Nino Castelnuovo was an Italian actor best-known for Rocco and His Brothers (1960) and The Umbrellas of Cherbourg (1964).
In my little universe, he is best-known for his part in Camille 2000 (1969).
RIP Lee “Scratch” Perry (1936 – 2021)
Lee “Scratch” Perry was a Jamaican composer and producer known for such songs as “Bucky Skank” (1973).
He died and the last member of the holy trinity (Lee Perry, Sun Ra and Fela Kuti) of 20th century black musical “auteurs” is no more.
Perry was an Afro-futurist, Afro-humorist, Afro-dadaist and Afro-surrealist. He taught the world that a mixing desk could be used as a musical instrument.
There was a period in my life he was all I listened to. Album such as Blackboard Jungle Dub (1973), Super Ape (1976) and Return of the Super Ape (1978) were a on repeat and albums such as Cloak and Dagger (1973), Black Board Jungle Dub (1973), and Revolution Dub (1975), were, along with the work of King Tubby, the foundation of dub music.
My brother at one time owned nearly all of his albums.
An issue of Grand Royal by the Beastie Boys was dedicated to Lee.
His flying cymbal sound is as notorious as that of Bunny Lee.
He claims to have part in the authorship of many of the early Bob Marley and the Wailers songs.
What a loss. Not only for the reggae world but for the musical world at large. He was a visionary, the Sun Ra of reggae, saying stuff like:
“I see the studio must be like a living thing, a life itself. The machine must be live and intelligent. Then I put my mind into the machine and the machine perform reality. Invisible thought waves – you put them into the machine by sending them through the controls and the knobs or you jack it into the jack panel. The jack panel is the brain itself, so you got to patch up the brain and make the brain a living man, that the brain can take what you sending into it and live.”
He was a mad genius who wrote, how many songs? Many of them recorded on a four track system, but an incredibly spacious sound.
RIP mister Perry, this feels like a personal loss.
I wanted to do a more thorough write-up, but I only came up with this mixtape: Judge Dread (1967), People Funny Boy (1968), Pop Corn (1970), A Place Called Africa (1970), 400 Years (1970), African Herbman (1971), Mr. Brown (1971), Sun Is Shining (1971), Bucky Skank (1973), Justice to the People (1973), Kentucky Skank (1974), “Curly Locks” (1974), Doctor on the Go (1975), Woman’s Gotta Have It (1975), Chase the Devil (1976), Croaking Lizard (1976), Hurt So Good (1976), Super Ape (1976), White Belly Rat (1976), Zion’s Blood (1976), Big Muff (1977), City Too Hot (1977), Groovy Situation (1977), To Be a Lover (1977), Bafflin’ Smoke Signal (1978), Soul Fire (1978), Throw Some Water In (1978), Huzza a Hana (1978), I Am a Madman (1986).
RIP K. Schippers (1936 – 2021)
K. Schippers was a Dutch poet (“Ja”), prose writer and art critic (Eb, 1992).
There are so many reasons to praise Schippers but I shall give only one. The magazine Barbarber (1958–71) which he co-founded and edited, introduced the nobrow sensibility to The Netherlands.
Nobrow means the appreciation and mixing of high and low culture, exemplified in the case of Barbarber on the high culture side by Duchamp, Satie, Schwitters and Carroll and at the low culture side by Krazy Kat, Laurel and Hardy, The Killing, Kiss Me Deadly at the low end.
The word barbarber is a portmanteau of barbaar (barbarian) and rabarber (rhubarb).