Anita Lane was an Australian singer-songwriter who was briefly a member of The Bad Seeds with Nick Cave and Mick Harvey, and collaborated with both bandmates. Lane released two solo albums, Dirty Pearl (1993) and Sex O’Clock (2001).
From that album Sex O’Clock (2001), I give you “Do That Thing” (2001). Be sure to stick around until the guitar kicks in at 3:00.
Monte Hellman was an American film director known for his cult films.
I remember seeing Two-Lane Blacktop (1971) on the Moviedrome cult movies programme.
I’m fond of road movies and suddenly I am reminded of C’était un rendez-vous (1976) by Claude Lelouch, the short film that plays in Paris and where the race ends at the Sacré-Cœur.
Another road movie of particular interest is Vanishing Point (1971) with the unforgettable part of DJ Super Soul.
Tempest Storm was an American burlesque star. Burlesque was a tem invented as an ameliorative for striptease.
In the history of American erotica, burlesque films came just before nudist films. One difference between the two genres was that during the era of burlesque, pasties were used, while the nudism of nudist films provided an excuse to show full nudity, as far as toplessness went.
To my surprise the film above, Teaserama (1955) also includes silly skits in the style:
“he’s so honest he finds things before they are lost”
“he studied for a doctor once, the doctor was too busy to study for himself”
“he treated a man for five years before he found out the guy was a chinaman.”
What currently interests me in anthropology are a) accusations of eurocentrism; b) discussions on the nature of human nature (innate good or bad); and c) sexual anthropology. By sexual anthropology I mean a particular variant of it, which I call anthropologica, namely the prurient interest in sex which masquerades as anthropology.
There is no anthropologica in Sahlins, anthropologica is more the province of the 17th and 18th centuries.
I know not of discussion by Sahlins on the innate goodness or badness of man.
Sahlins co-authored the book On Kings (2017) with David Graeber, who died recently and of whom I’ve read the book on debt and the book on bullshit jobs.
David Graeber also wrote a foreword to a later edition of Stone Age Economics (1972).
Gene Youngblood is an American writer best known for his book Expanded Cinema (1970). The book is a typical product of 1960s counter-cultural utopianism.
Contrary to the usual 1960s utopianism, Youngblood’s utopianism is not focused on politics but on form.
Central to this book is the predicted advent of a new noosphere. Noosphere is a concept coined by Teilhard de Chardin (along with Vladimir Vernadsky).
Patrick Juvet was a Swiss singer-songwriter who had a string of hit records in France (“Où sont les femmes?”) during the seventies.
He found international success with disco compositions such as “I Love America” (1978) which was his biggest record and was included on the compilation A Night at Studio 54 (1979).
Also in 1979, he wrote the soundtrack to Laura by David Hamilton.
By the early eighties, after the death of disco, his five minutes of fame were over.
Malcolm Cecil was a British musician best-known for his involvement in Tonto’s Expanding Head Band. And Tonto are best known for their involvement with Stevie Wonder.
Bertrand Tavernier is known for such films as Death Watch (1980), a French science fiction film in which Romy Schneider plays a dying woman whose death is recorded on national television in an ongoing soap opera of morbid reality television.
Jessica Walter was an American actress best known for Play Misty for Me (1971) in which she was Evelyn Draper, an obsessed female fan of a radio disc jockey played by Clint Eastwood.