I guess I first stumbled upon Silver Apples when I bought the Underground Moderne cd by Nova Records. It had the track “Gypsy Love” on it, and I always skipped it. Silver Apples were undeniably of great influence, but none of their records would end up in my desert island selection.
Gary Peacock was an American jazz double-bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as Albert Ayler, Paul Bley, Bill Evans, Keith Jarrett and Tony Williams.
On Life Time (Blue Note, 1964), Gary Peacock plays bass on tracks one to three.
Hal Singer was an American R&B and jazz bandleader and saxophonist. He was the last surviving male survivor of the Tulsa race massacre.
He is known for such instrumentals as “Malcolm X” on the album Paris Soul Food (1969), produced by Bernard Estardy.
If you are a melomaniac, I’d check the latter’s “Ombilic Contact” en “Cha Tatch Ka”.
Salome Bey was an American-born Canadian composer and singer.
She did solo work but in my book she is famous for having part in an unforgettable version of “Round Midnight” (1944) with the unforgettable lines
“But it really gets bad,
She did that version with her brother Andy and her sister Geraldine, both of whom survive her.
Max Crook was an American musician whose name is virtually unknown.
Some research yields his co-authorship of “Runaway” (1961), the Del Shannon song.
In that song he also plays the keyboard solo.
That solo was played on a self-invented electric keyboard called the “Maximillian” which was based the clavioline, which was in turn a variation on the Musitron.