Author Archives: jahsonic

RIP Adam Parfrey (1958 – 2018)

Adam Parfrey was an American writer, editor, and publisher whose work centered on unusual, extreme, or “forbidden” areas of knowledge. He is perhaps best known for Rants and Incendiary Tracts (1989), which he co-edited with Bob Black.

Rants and Incendiary Tracts (1989)

Rants and Incendiary Tracts (1989)

Rants and Incendiary Tracts (1989, above) is an anthology of 56 pieces of invective in the style of An Anthology of Invective and Abuse (1929) by Hugh Kingsmill.

Thanks to the death of Adam, I watched The Hate That Hate Produced (1955, above)

By the way, can anyone illuminate me on the cover photo of Rants?

One thing leading to another

Reading Roger Scruton’s “Flesh from the Butcher” for my thesis I noticed the word Tafelmusik. My encyclopedia brought up “Tafelmusik für König Ubu“. Anything with the word Ubu in its title piques my interest. “Tafelmusik für König Ubu” appeared to be a German version of Musique pour les soupers du Roi Ubu (1966), a musical composition by Bernd Alois Zimmermann.

I played it [above], it’s wonderful, it’s a sound collage. Not really. It’s a musical composition filled with quotations.

YouTube’s autoplay is on.

The next track [above] starts very sweet and gentle. At 4:55 the most wonderful waltz waltzes in.

Waltzes have these pauses that remind me of weightlessness.

The composition appeared to be “Der Waltzer (1969) by Alfred Schnittke.

I ended up listening to Alfred Schnittke’s music for most of the weekend.

RIP Steven Marcus (1928 – 2018)

Steven Marcus is best-known for The Other Victorians (1964) [below], a study of Victorian pornography in which he coined the term pornotopia.

The Other Victorians cover

The Other Victorians cover

The Other Victorians back cover

The Other Victorians back cover

The book is a classic in the academic study of pornography.

I’ve never been able to find out the identity of the author of the illustration on the cover. It’s in the skinny style of Raphael Kirchner (1867– 1917) and Léo Fontan (1884 – 1965) which was popular in the late 19th and early 20th centuries. That’s all I know. Anyone?

Why I like the rhetoric of censors so much

Not a Love Story: A Film About Pornography (1981) is one of the best anti-pornography documents around, better than Perversion for Profit (1965).

I found Not a Love Story while researching my paper and being sidetracked into feminist antiporn rhetoric.

The most blatant variety of this rhetoric is the part where they say that pornography leads to rape, first expressed by Robin Morgan in 1974 when she said “pornography is the theory, and rape is the practice“.

Recent feminists such as Anne W. Eaton have toned down their statements from the once virulent rhetoric of women such as Robin Morgan, but Rae Langton, a well respected source in the current debate, still references Ed Donnerstein in “Speech Acts and Unspeakable Acts“, her much-cited paper of 1993.

Researching Ed Donnerstein brought this film to my attention. He is interviewed on the effects of violent porn.

New to me was a soundbite uttered by Robin Morgan who states that “the first things that the Nazis did when they moved into Poland was to engineer a huge proliferation of pornography.”

The statement baffled me and I knew right away that I would not be able to find whether this was true or not, the only thing I could hope to discover is who first spread this piece of information.

After some googling I found this information cited in Take Back the Night (1980) by Laura Lederer. Some more googling and I discovered that it can be pinpointed to Pamela Hansford Johnson’s statement “when the Nazis took on the government of Poland, they flooded the Polish bookstalls with pornography” recorded in On Iniquity (1967), an attack on permissive society occasioned by the Moors murders.

I’ve previously mentioned why I like the rhetoric of censors so much but must write more about it, see in praise of censorship. This documentary is up here in its entirety but for how long considering the amount of explicit imagery?

PS 1. There is another explicit video on censorship, which has escaped the YouTube censor, I’ve written on it here and the video is still there.

PS 2. If you know where Pamela Hansford Johnson got her info from, I’d love to hear from you.

Rodin’s eroticism

Les dessins de Rodin, part 1

Les dessins de Rodin, part 2

While researching my thesis, I came across the text “Les Dessins de Rodin” (above), in which Arthur Symons says:

“The principle of Rodin‘s work is sex-a sex aware of itself, and expending energy desperately to reach an impossible goal.”

Also new to me was Rodin’s Iris, Messenger of the Gods  and “Rodin’s Reputation“, Anne Wagner’s deft article on it.

All my research on Rodin and eroticism can be found at Eros and Rodin.

 Spanish Still Life @ BOZAR

There is a wonderful exhibition in Brussels right now. Spanish Still Life – Velázquez, Goya, Picasso, Miró has two Cotáns, apart from Zurbarán, the crème de la crème of still life.

Sadly, behind glass, but seeing this is such a blast.

Quince, Cabbage, Melon and Cucumber (1602) by Juan Sánchez Cotán. This is the central piece of the exhibition. Jaw-droppingly beautiful. Below detail of the cucumber.

Still Life with Fruit and Vegetables (c.1600) by Juan Sánchez Cotán. Another Cotan, a little too full to my liking but still a top work.

Still Life With Bream, Oranges, Garlic, Condiments, and Kitchen Utensils (1772) by Luis Egidio Meléndez (detail)

Vanitas (Goya’s Skull) (1849) by Dionisio Fierros. This painting has a nice phrenology story behind it. Kind of similar to what happened to Sade’s skull.

There were two Goya’s: Still Life with Golden Bream and one with a bird (I was  unable to find the title, it’s this one). There were no Zurbaráns. I would have paid the price of the entrance for the two Cotans alone.

RIP Cecil Taylor (1929 – 2018)

Cecil Taylor was an American pianist and poet. Classically trained, Taylor is generally acknowledged as having been one of the pioneers of free jazz. His music is characterized by an extremely energetic, physical approach, producing complex improvised sounds, frequently involving tone clusters and intricate polyrhythms. His piano technique has been likened to percussion, for example described as “eighty-eight tuned drums” (referring to the number of keys on a standard piano). He has also been described as “like Art Tatum with contemporary-classical leanings”.

His composition Indent (1973) is on Thurston Moore’s Top Ten Free Jazz Underground (1995).

RIP Jacques Higelin (1940 – 2018)

Jacques Higelin was a French pop singer who rose to prominence in the early 1970s. Early in his career, many of Higelin’s songs were effectively blacklisted from French radio because of his controversial left wing political beliefs, and his association with socialist groups.

His song “Pars” (1978) was covered by Grace Jones on her album Warm Leatherette.

RIP Stéphane Audran (1932 – 2018)

Stéphane Audran was a French actress, known for her performances in award-winning movies such as The Discreet Charm of the Bourgeoisie (1972) and Babette’s Feast (1987) and in critically acclaimed films like The Big Red One (1980) and Violette Nozière (1978).

A well-known photo of the actress shows her sitting at a dressing table doing her toenails. It is from the film from the film La Femme Infidèle (1968).

Above is the clip of that film with Audran tending to her nails.